EXCLUSIVE: MJ the Musical Heading for Melbourne – Charlie Carter Reviews

After what seemed like a long wait since 2021 for Australian lovers of musical theatre, February 2025 saw MJ The Musical finally hit Australian shores at the Sydney Lyric Theatre, housed in the Star City Casino complex. The show had won 4 prestigious Tony Awards during it’s continuing run on New York’s Broadway and opened to enthusiastic crowds in London’s West End. Due to the success of the New York run, the show was taken on the road in the USA and will be again later in 2025 – extending into Canada too. But for Australian fans I can exclusively reveal that next week will see an official announcement that MJ The Musical will be coming to Melbourne later this year.

My source – who wishes to remain anonymous for obvious reasons – has told me that logistics for the cast and crew are being looked into, and that a theatre for the run has already been chosen. Though he could neither confirm nor deny, I believe it to be Her Majesty’s Theatre in Melbourne as there is a nice gap in the calendar that could be filled by an award-winning musical that is already in Australia.

By a little bit of luck, I ended up being able to go and see the show twice in the space of a few days last week here in Sydney – a colleague had won discounted tickets and had seen the show already, and wasn’t able to attend. She graciously offered them to us and my wife decided – as it was my birthday – to buy them for us. She then dutifully checked her emails to find she had also won discounted tickets for another show that week! “Do you want to go twice?!” she asked, knowing full well it wasn’t a question that needed an answer!

The first show was on a Tuesday night. We couldn’t believe our luck to find we were in the stalls – second row, towards the left hand side of the stage as we looked at it. The second show – Sunday lunchtime – we were in the dress circle, and honestly I can’t really tell you which one I preferred! I loved both seats for different reasons. I had never been so close to the front of a musical or any other show, save for once seeing The Darkness at The Enmore and a second row table seeing Kevin Bloody Wilson. Slightly different vibe there!

So what of the show itself? After all the hype, the awards, the reviews on shows like The MJCast, the controversy around the content from fans, the issues some members of the fan community have with the Michael Jackson Estate – primarily those that run it and what they produce – how can I give this show a succinct summary? The truth is, I can’t. I quickly realised within a few minutes of the start that I was going to have to look at this show from two viewpoints; that of an almost lifelong Michael Jackson fan who is now part of a team creating The MJCast and counts a member of the Jackson family as a friend, and that of a regular member of the public going to watch a musical.

As an MJ fan, there were issues. We have discussed on The MJCast the problems with some comments the show’s writer Lynn Nottage had made about Michael Jackson’s character (please do have a listen to those shows), but I will keep my review here based purely on what I saw in the show. The plot of the show is based around preparations in 1992 for the upcoming Dangerous World Tour, and Michael’s desire to create a dynamic and unique spectacle for his fans – complete with Toaster and rocket pack. Spoiler – we don’t see the rocket pack during the musical, and unlike the real Dangerous World Tour we don’t see “Michael” exit the show by flying said rocket pack over the crowd. Would have been difficult to pull that off in an enclosed theatre!

The issues that are apparent to fans won’t necessarily be as obvious or even noticeable to non-fans. For example, using songs such as Earth Song, 2 Bad, They Don’t Care About Us, Money, Stranger In Moscow, Tabloid Junkie – all not released until 1995’s HIStory album – in a story set in 1992 was interesting. Likewise, using the childhood Michael to sing songs that Michael released as an adult (Don’t Stop Til You Get Enough) was also a use of artistic licence. 

Those are minor details in comparison to factual inaccuracies such as the depiction of Michael Jackson’s drug dependency to get through the stress of rehearsals, when in reality the use and addiction didn’t come into play until well into 1993 and the Chandler allegations. Incidentally, these were alluded to with a simple line by one of the support staff in rehearsals when protesting Michael’s lavish ideas; “And who is this family he wants to bring on the tour?” though that could easily be referring to the Cascio’s who DID go on parts of the tour.

There were also suggestions in the show that Michael Jackson had to mortgage Neverland Ranch (with purported monthly running costs of $2million according to the show) in order pay for the extra staff, toaster and Rocket Pack, speakers and screens for the show. In 1992, Michael had only lived there for 4 years, had not yet built the train station or movie theatre, and had no money issues that would require him to re-mortgage Neverland to pay for any of this. Fans had issues with these aspects of the storyline as it painted Michael as in a state of desperation to achieve rather than a man at the top of his game just before the proverbial hit the fan in his personal life.

My friend and award-winning journalist Charles Thomson said on The MJCast during his review that at times the actor playing family patriarch Joseph Jackson also played Michael’s Tour Manager named “Rob” which was confusing. My wife commented that exact same thing because the very talented Derrick Davis switched between these characters, sometimes without leaving the stage and sometimes going directly from the dialogue of one into the dialogue of the other. This wasn’t exclusive to Joseph/Rob – many actors played multiple characters; Tito Jackson and Quincy Jones are played by Conlon Bonner, while Wonza Johnson plays Berry Gordy and “Nick”.

All that aside, MJ fans will enjoy the music and the passion that the cast bring to performing it on stage. The opening number is Beat It and Debbie Yap joins Michael on stage for an incredible live guitar solo – the closest I’ve ever heard to Eddie Van Halen’s original solo on the record. Liam Damons plays teenage/young adult Michael with energy and aplomb, nailing the dance moves and playing to the crowd. Josslynn Hlenti Afoa plays Katherine Jackson with compassion and sympathy, and unleashes a fantastic gospel choir voice at times in the show, being young Michael’s protector from Derrick Davis’s depiction of Joseph Jackson as a tyrannical father figure – abusively controlling over his family. 

While I’m on Joseph – early reviews suggested that the portrayal of Joseph as an evil man was over the top. Davis had a permanent scowl on his face while playing Joseph Jackson, and the scowl disappeared for “Rob” which was one way to discern which character was being played. I don’t know if the character has been toned down or not in the meantime, but aside from one moment in the show where Joseph struck childhood Michael (William Bonner) to the floor with a backhanded slap, to me it looked more like Joseph was depicted as a strict father with mostly stern words for his sons and threats/warnings to keep them in line, and disciplining them to be the best. Derrick Davis plays a difficult role very well, and remains likeable as Rob, if not so likeable as Joseph – resembling Mufasa in The Lion King, who Davis also played.

Roman Banks is outstanding as Michael Jackson. The moves are accurate, the inflections on the speech are great and the charisma is oozing out of him. From the stalls you know you are watching someone play Michael Jackson – from the dress circle, you sometimes think you are watching THE Michael Jackson. Apart from the obvious fact the the man has been gone for nearly 16 years, the only other thing that gave it away is that sometimes the speech was too whispery. The real man didn’t always use that breathy tone when he spoke, but let that take nothing away. Roman’s body language in all aspects of the show were the closest resemblance to the man I’ve seen in any show.

And that is a fairly detailed look at things as a Michael Jackson fan. The criticism from some of the media about the show is that it doesn’t address the demons in Michael Jackson’s later life – the allegations of criminal conduct. But it isn’t meant to. It is meant to be a piece of entertainment showcasing the musical talent and dancing ability of the greatest entertainer of all time. It is not meant to be a biography, and that is why artistic licence is taken. That is why 1995 songs appear in a musical set in 1992. That is why allegations in 1993, 2003 and a trial in 2005 aren’t mentioned. It is a story written by Lynn Nottage loosely based on a real person and parts of their very colourful life.

There are moments of comedy in there too. “If I don’t do these things, God will give my ideas to Prince.” Something Michael actually said in his life, but woven into a script to get a laugh. Firing a water pistol at his handlers to defuse tension, disguising himself and asking “Who’s Michael Jackson?” before revealing himself. In many ways the musical is a sympathetic telling of some of Michael’s personal struggles with people’s lies about him. In others, it completely destroys his character by suggesting he was a pill-popping nutcase that refused to take no for an answer. Neither of which is true to life, neither of which is meant to be.

And so how would I review the show as a regular member of the public going to see a musical? Well, I don’t pretend to be a connoisseur of musical theatre. I’ve seen We Will Rock You and Jersey Boys in London, Thriller Live and The Lion King in Sydney. MJ The Musical beats them all by far. As a piece of entertainment, complete with fantastic music woven into a story and performed with energy and passion I’ve never seen a musical like it. The only show I can compare it to is MJ One in Las Vegas which while also a project of the troublesome MJ Estate, was an outstanding world class spectacle itself.

The choreography is fantastic and keeps you engaged and amazed. While it is inspired by the original choreography of Michael Jackson’s songs there are subtle differences. The only song which is truly left to the real choreography is the one Michael Jackson performed on his own with no backing dancers – the iconic Billie Jean, complete with a silky moonwalk.

In conclusion, for the Michael Jackson fan this is a must see show – providing you are prepared to understand it is a fictional story based on the myth, not a biography of the man. You will notice the inaccuracies and they will frustrate you, but remove yourself from that and you will have a wonderful time enjoying the show. If you are a member of the public wishing to see an entertaining show with brilliant music, choreography and charisma you will quickly understand why MJ The Musical has won so many awards and is still running in New York and London. And until August, right here in Sydney. 

Australian fans, get your tickets and watch out for a fan gathering on 25th June – the 16th anniversary of Michael Jackson’s passing. As far as Sydney is concerned the show has a hard stop in August as Back To The Future moves into the Lyric Theatre in September. Demand has been plentiful – certainly enough to warrant extending the original May end date out to August instead. As things stand the final show will be 23rd August. You can’t help but feel that 29th August would have been an appropriate end date that would have had more fanfare. Why? Michael Jackson was born on 29th August 1958.

Meanwhile, I’m checking my calendar for later in the year when I can book a trip to Melbourne to visit family. And quite possibly Her Majesty’s Theatre for another viewing of this spectacular show. Remember, you heard it here first!

Article by Charlie Carter.

178: Jeff Margolis Special

Jeff Margolis joins Jamon Bull for a powerful, deep-dive interview about Margolis’ incredible career in television, and his work with The King of Pop.

Margolis is one of the most successful live TV event directors of all time, having worked on the Oscars, the Emmys, the Golden Globes, the Screen Actors Guild Awards and the American Music Awards. He has created TV specials with the likes of Cher, Julie Andrews, Dolly Parton, Frank Sinatra, Kenny Rogers and Richard Pryor; made movies with Ringo Starr and Quincy Jones; directed a music video for Whitney Houston. The roster of talent across his many TV projects has also included Ella Fitzgerald, Gladys Knight, Burt Bacharach, Gene Kelly, Smokey Robinson, Elton John, Barry Manilow, Lionel Richie, Prince, and many, many more.

Margolis’ career led him to cross paths with Michael Jackson numerous times. In 1989, he directed Sammy Davis Jr’s “60th Anniversary Special”, where Michael performed a specially written tribute song called “You Were There”. In 1993, Jeff directed the 20th annual American Music Awards, where Michael performed “Dangerous” for the first time, and won the inaugural International Artist Award, which was thereafter given annually in Michael’s name. In 1995, Margolis signed on as the director of Michael’s ill-fated “One Night Only” HBO special, which fell apart after Michael collapsed in rehearsals. Two years later, he directed “Happy Birthday Elizabeth” at the Pantages Theatre in Hollywood, where Michael once again performed a specially written song, “Elizabeth, I Love You”.

Michael and Margolis would collaborate again in 2001 for the hastily assembled United We Stand concert, organized within weeks to raise funds for the victims of the 9/11 terror attack in New York. Michael headlined the show, performing “Man in the Mirror” and assembling a glittering line-up for the only time “What More Can I Give” was performed in front of an audience. It would be the last time Michael Jackson ever performed for a stadium audience.

Margolis’ autobiography “We’re Live in 5: My Extraordinary Life in Television” has recently been released, and features many brilliantly told stories, with an entire chapter dedicated to Jeff’s work with Michael Jackson.

This episode was edited by Jamon Bull.

Additional Links
• Jeff Margolis’ website.
• Jeff’s autobiography, We’re Live in 5.
• Damien Shields’ article on “Michael Jackson: One Night Only”.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs. All proceeds go towards online running costs, upgrading equipment, and charity donations. Learn all about the various ways you can support The MJCast through visiting our website.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.

Connect with Us
• TheMJCast.com
• Facebook
• Instagram
• Mastodon
• Twitter
• Threads
• YouTube

If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

177: Leaving Neverland 2 Roundtable

In 2019, a bomb exploded in the Michael Jackson world, when British TV director Dan Reed premiered a four-hour TV series about Wade Robson and James Safechuck – two men demanding millions of dollars from Michael Jackson’s posthumous estate as compensation for alleged childhood sexual abuse. A co-production between Britain’s Channel 4 and America’s HBO, the show generated months of scandalous, sensational and extraordinarily biased media coverage, much of it demanding the all-out cancellation of Michael Jackson.

For a while, that looked like a possibility – but ultimately, Jackson weathered the storm. His music streams went up instead of down. A Michael Jackson musical debuted on Broadway, won a string of awards and has become one of the highest grossing shows in New York theatre history. Its London transfer has just been nominated for three prestigious Olivier awards. New versions have now opened in Germany and Sydney. Meanwhile, Lionsgate has invested $150m in the most expensive Hollywood biopic of all time, Michael.

But six years later, Reed has re-emerged with a 49-minute sequel, subtitled Surviving Michael Jackson and focusing on Robson and Safechuck’s ongoing legal efforts to obtain hundreds of millions of dollars from Jackson’s estate. It premiered this week to substantially less fanfare than its predecessor and extremely poor viewing figures.

In this roundtable episode, a panel of experts react to the latest episode of Leaving Neverland and consider what it means for Michael Jackson’s legacy.

This episode was edited by Charlie Carter.

Participants
Charles Thomson – An award-winning crime reporter who has spent years investigating the Michael Jackson allegations, appearing in various books and documentaries.
Taj Jackson – Michael Jackson’s nephew and the Jackson family’s loudest voice against Leaving Neverland and the allegations it documents.
Anika Kotecha – A lawyer and co-founder of campaign group MJInnocent – which challenges biased and inaccurate reporting on the allegations against Michael Jackson – who was asked by Dan Reed to appear in Leaving Neverland 2.
Jenny Winings – A long-time fan who was on the defence witness list for Michael Jackson’s 2005 trial, appeared in the documentary Square One and is actually featured in Leaving Neverland 2.
Paul Black – A professional filmmaker and editor, who offers expert insight into the construction of the latest episode.

Additional Links
• The “Square One” documentary on YouTube.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

Connect with Us
• TheMJCast.com
• Bluesky
• Facebook
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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

176: Brad Sundberg Q&A

Brad Sundberg joins Elise Capron and Paul Black for an episode packed with listener-submitted questions, as well as a discussion around Brad’s exciting upcoming seminar events, including his tour through Australia and New Zealand.

Brad worked with Michael Jackson as one of his engineers and his Technical Director for nearly 18 years, starting with Captain EO in 1985. He worked on the BAD, Dangerous, HIStory, and Blood On The Dance Floor albums, and was also responsible for nearly all the music and video systems installed in every corner of the Neverland Valley Ranch property. For more than a decade, Brad has been running In the Studio with MJ, immersive seminars which take place around the world, and which give fan insights into working with The King of Pop in the studio.

For this conversation, The MJCast gave listeners a chance to submit questions to this key MJ collaborator. Brad addresses topics across the board, from details about MJ’s creative process and time in the studio, to Brad’s thoughts around Michael’s legacy, to how the seminars have evolved over the years, and what he has planned in the future.

The MJCast wants to thank everyone who contributed questions — we wish we could have included each and every submission all in our chat!

Questions
1) Paul Black (Email) – It’s been 8 years since you were last in Australia with your seminars, can you tell us how the sessions have evolved, and what differences people can expect this time around?
2) Samuel French (Twitter) – what keeps you motivated to keep going with the Seminars – they are a huge investment of your time for little financial return? … and will we ever see you and Brad Buxer in London? I will be there like a shot! Blessings to you
3) Julia de Vreede (Facebook) – Can’t wait for this episode! 💕 Brad travels all around the world for “in the studio with MJ”. I’m curious what his experiences are meeting fans from different cultures across the globe. In what way does he experience Michaels positive and humble spirit traveling around the world? 😊.
4) Alexandre (Twitter) – Hi Brad, thank you for your seminars, I love them. From the moment you worked with Bruce, and continued for many years, how did your responsibilities evolve, once you were no longer on coffee duty? Did Bruce like to have control or did you have the opportunity to take on more?
5) Alexandre (Twitter) – Sounds like one of Bruce’s greatest asset was his ears. If when playing back a track, Michael said “hurt me”, would you all be running for cover to protect your ears?
6) Gratian Dimech (Facebook) – Hi Brad, I think Michael’s vocals at the end of Earth Song are the greatest a singer has ever recorded. Were you present for that moment? What in your opinion was the greatest vocal you ever witnessed/ worked on by him? Thanks!
7) Jamon Bull (Bluesky) – How involved was Teddy Riley in the Dangerous sessions? Did you witness Michael and Teddy working in the studio together and crafting tracks?
8) Jamon Bull (Bluesky) – Was there ever a released Michael song during your time, where you got the sense he wasn’t fully happy with the finished product? Famously, Michael is on the record feeling that way about WBSS.
9) Andrew Greene (Facebook) – Brad, Michael was known for pushing boundaries with his work. Can you share a behind-the-scenes story where a last-minute technical challenge forced you to innovate on the fly—and how that unexpected fix ultimately elevated the project you were working on?
10) Louis La Roche (Email) – Hey Brad, having been in the room whilst working on the History album, can you tell us if there’s any stories you have of Jam & Lewis at that time? They seem to be absent from a lot of conversations about the album, despite the fact they worked on the 4 songs ‘Scream’, ‘Tabloid Junkie’, ‘2 Bad’ and ‘History’ (5 if you count ‘Is It Scary’). Love what you do, and thanks for doing a seminar in London back in 2018, it was a delight.
11) ConnorJakeElder (Instagram) – Hi Brad, did you ever get to discuss “TDCAU” with Michael, did he ever discuss his thoughts or opinions when recording the track? P.S I’m hoping he let you know the ad libs near the end of the song. It’s a long debated lyric in the fan community. “don’t you sit back and watch the beating” is the widely accepted phrase he uses.
12) JayKay (Twitter) – Michael is a well known jokester, were there any moments where he played any pranks on you, or did something that made you crack up along with him? Or similarly did you do something to make him laugh uncontrollably? Thank you Brad for keeping his legacy alive.
13) ljp4681 (Instagram) – Michael was known for his mischief making-did he ever play a memorable  prank on you and what was it?
14) etebeye (Instagram) – In one of your videos, Michael was drinking tea from a mug with the spoon still in it. Was there a time he spilled liquid on the board or broke studio equipment? What format did Michael prefer to listen to music on and did he have a soft spot for vinyl records?
15) ChacoWorldMusic (Instagram) – MJ seemed to embody music as natural as breathing. He didn’t need to play instruments but there are contradictory testimonials and credits of him doing it.  Did Brad ever witness MJ playing an instrument? Was the grand piano at Neverland properly maintained in tune? Did he own other musical instruments?
16) ljp4681 (Instagram) – When you were recording Michael’s lead vocals, were you ever overwhelmed that you made a mistake/forgot to do something while recording? Thanks! xxx
17) Alexandre (Twitter) – The second verse of Smooth Criminal is longer in Moonwalker than on the album or any subsequent mixes for the single. Was it part of the original recording, and maybe cut to fit the song on the vinyl, or was it recorded for the movie?
18) DomoBoy92 (Instagram) – Michael had an almost supernatural ability to layer harmonies and create entire arrangements using just his voice. Can you recall a session where he built a song purely from his vocal ideas before instruments were added?
19) Porter_Wolfff (Instagram) – Graham king (producer of the biopic) interviewed people who knew mj to develop the script. Considering they revamped Neverland for the film, did they contact you for any insights about the music systems, the Neverland collection or any other insights you might have?    
20) Gareth Morton (Facebook) – Could you ask Brad to expand on a comment he made recently in a radio interview, where he said that Michael was not aging well and that he didn’t expect Michael to live beyond 50 years of age. I realise the sensitive nature of this question and have no issues with Brads beliefs around this. I was simply intrigued to know more about why he thought this, and does he wonder if he could have done something to intervene in the months before Michael passed.
21) nagyito_alatt_podcast (Instagram) – How is your book coming along and who is your favourite Hungarian podcaster 😛 ? But most importantly, what was it like to work with Engelbert Humperdinck (this is a serious question, seriously).
22) Porter_Wolfff (Instagram) – Can you update us on your book?
23) EnviJordan (Instagram) – Would you ever make a documentary to capture all of the information shared in the “In The Studio” seminars? Using the studio footage and everything else. So fans of future generations can still learn and enjoy?
24) DaneThomson8 (Instagram) – What was it like when an album was finished? What would be the final finishing touch in the studio? Did Michael ever have some kind of celebration at the end or would he retreat and relax?
25) Camila Maele Ruud (Facebook) – Hi Brad. Firstly, thank you for keeping MJs legacy alive, you are incredible. Question, – What do you wish the future generations would learn about Michael, so that they will understand him and what he stood for ? 🙏 
26) Paul Dwyer (Facebook) – I’d love to know if Brad was witness to any of MJ’s humanitarian efforts. Did any sick or u deprived families or children visit the studios or did he accompany MJ on any hospital visits or did MJ ever speak to him about this side of his work? 🏽
27) Hanan Loukili (Twitter) – How do you feel about this consistent obsessive attempt by the media to tarnish MJ as a human being and therefore deminish his legacy?
28) Paul Rizzo (Facebook) – Does it hurt or annoy you when you see MJ tribute artist/impersonators performing songs like Chicago 1945 after the theft/leak?
29) ConnorJakeElder (Instagram) – Did Michael ever discuss his thoughts on Walt Disney with you, I know you both shared a love for Disney. Keen to hear if Michael ever spoke in depth about Walt with you, Brad.
30) SimonPaulWilkie (Instagram) – Could you name one thing while working with Michael in a studio environment that made it different compared to other work environments you’ve experienced?
31) sentrone0 (Twitter) – Why wasn’t Someone Put Your Hand Out on the Dangerous album? Personally think it’s one of the best songs from that era.
32) Emmet Gates (Twitter) – With the benefit of hindsight, which songs do you think didn’t fit thematically on Bad/Dangerous/History and should’ve been excluded?
33) Eddie Santos (Twitter) – Favorite song on history?
34) Jamon Bull (Bluesky) – Michael Jackson and Donald Trump were hanging out during the HIStory era. Do you have any insight into just how close the two of them were?
35) Maksim (Twitter) – What is your favorite memory of your time with him? Any specific moment you would like ppl to know.

This episode was edited by Paul Black.

Additional Links
• TheMJCast 063: Q Q&A
• TheMJCast 069: C Q&A
• TheMJCast 074: J Q&A
• TheMJCast 099: Leaving Neverland Q&A
• TheMJCast 130: An Evening With Charlie and Jamon
• TheMJCast 147: The Big British Q&A
• TheMJCast 159: E Q&A
• In the Studio with MJ on Facebook, Instagram and TikTok.
• Brad’s website and seminar tickets.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

Connect with Us
• TheMJCast.com
• Bluesky
• Facebook
• Instagram
• Mastodon
• X
• Threads
• YouTube

If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Stay BAD!

175: Ten Years On and Goin’ Strong

Jamon Bull, Charles Thomson, and Paul Black join forces to launch Season 11 of The MJCast. The fellas discuss Kingvention 2025, Brad Sundberg’s upcoming Australia and New Zealand tour, newly upscaled Michael Jackson short films, the recent troubles facing the biopic, and the impending sequel to 2019’s Leaving Neverland, “Surviving Michael Jackson”. Welcome to Season 11!

This episode was edited by Jamon Bull.

Discussion Topics
• Kingvention has been announced for May 24th in London.
• Brad Sundberg is coming to Australia.
• Michael Jackson’s Off The Wall era short films, including Don’t Stop ‘Til You Get Enough, Rock With You, and She’s Out of My Life, have been upscaled and re-released on YouTube.
• Following the Financial Times story on the latest extortion attempt against Michael Jackson, the biopic is experiencing production issues.
• The sequel to Leaving Neverland, “Surviving Michael Jackson”, is due in March.

Additional Links
• Judy Garland’s “Get Happy” video.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

Connect with Us
• TheMJCast.com
• Bluesky
• Facebook
• Instagram
• Mastodon
• X
• Threads
• YouTube

If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

174: Season Ten Christmas Special

Taj Jackson joins Elise Capron, Jamon Bull, Charles Thomson, and Charlie Carter to celebrate the holidays and reflect on this past year… Welcome to The MJCast’s tenth annual Christmas special!

The gang discusses the year that was, from the very sad news of Tito Jackson’s passing in September, as well as the loss of such legends as Quincy Jones and Colin Chilvers, to Paris Jackson’s recent engagement. They also dig into the intriguing story around the uncovered tapes of unheard MJ tracks, and chat about newly released prints and artwork available from Michael Jackson collaborators, fantastic documentary footage of the Jackson 5, and updates on MJ: The Musical, Michael Jackson ONE, and the MJ biopic. Plus, Charles explains important legal updates around the Robson and Safechuck trial timeline, a verdict in the Jordan Neely case, and the report on the Estate taking five people to court over what was suggested as an extortion plot, with thread of abuse allegations. Lastly, Taj provides further updates on his docuseries project, and the team looks ahead to 2025.

Special thanks to Taj Jackson for being a part of our annual Christmas Special for many years. It’s an honor to have this tradition with you.

And, huge thanks to all of our listeners and MJFam around the world. We could not do this without you. Wishing you a happy 2025 to come!

This episode was edited by Charlie Carter and Jamon Bull.

Discussion Topics
• The year that was…
• Legendary guitarist of the Jackson 5, Tito Jackson, has passed away at age 70.
• Michael Jackson’s daughter, Paris Jackson, is now engaged to Justin Long.
• Unheard Michael Jackson tracks found, but Estate declines to buy.
• Moonwalker director Colin Chilvers has passed away at age 79.
• Quincy Jones has passed away at age 91.
• Michael Jackson again tops Forbes’ list of highest-paid dead celebrities.
• Roman Banks to lead Australian version of “MJ: The Musical”, as Miles Frost departs UK version.
• “Save the Children” documentary restored and now on Netflix.
• Thriller and Smooth Criminal have now surpassed a billion views on YouTube.
• Steven Whitsitt has made available previously unreleased prints of Michael Jackson.
• New Nate Giorgio prints on MJ store.
• Michael Jackson ONE revamped with new technology.
• A verdict has been delivered in the Jordan Neely case.
• Debate continues over Robson and Safechuck trial timeline.
• An update on the latest Michael Jackson extortion plot.
• A Righting HIStory update from Taj Jackson.
• Season Ten Blooper Reel
• Looking back, and looking forward…

Additional Links
Support the “Faking Michael” podcast by voting and donating.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

Connect with Us
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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

173: Gregg Wright Special

Gregg Wright joins Jamon Bull and Shawn Shackelford for a fascinating interview about Gregg’s time working with the King of Pop, as guitarist on the Victory Tour.

Gregg has been called “one of the most innovative guitarists of our time”. He began his professional career on the U.S. Southern circuit in the mid-1970s, and honed his craft with years of playing one-nighters across the Carolina, Georgia, Alabama, Florida, Louisiana and Texas, often opening shows for the big national touring acts of the day. An ’80s move from Louisiana to Los Angeles saw Wright become a session man and “hired gun” touring guitarist. His reputation grew over the next decade doing albums and tours with Mick Fleetwood, Michael Jackson, and the Gap Band.

In this interview, the guys chat with Gregg about his incredible career, how he came to be hired for the iconic Victory tour, and what it was like being a live music collaborator with Michael Jackson.

This episode was edited by Jamon Bull.

Additional Links
• Gregg Wright’s Instagram and website.
• Brice Najar’s interview with Gregg.
• The Jacksons’ Victory Tour live in Toronto (1984).

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs. All proceeds go towards online running costs, upgrading equipment, and charity donations. Learn all about the various ways you can support The MJCast through visiting our website.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.

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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

172: Mick Garris Special

Mick Garris, renowned producer, director, screenwriter and novelist joins Paul Black for an in-depth interview about his amazing career, including his work with Michael Jackson.

Garris began his journey with Michael Jackson when both he and his wife appeared as zombies in the “Thriller” short film. Years later, because of his work with Stephen King, Garris was pulled in to work on what became the “Ghosts” short film. He co-wrote the story with Jackson and King, and was the original director on the project, then under the title “Is This Scary”. He worked closely on set with Jackson for two weeks, though, later, Stan Winston would take over as director when the project was shelved due to the 1993 allegations levelled against Michael Jackson.

Garris has long been an icon in the film industry, and particularly in the world of horror, having worked with Steven Spielberg on multiple projects, and achieving major success via his many collaborations with Stephen King, including directing the hugely popular series, “The Stand”, the TV adaptation of “The Shining”, and much more. He also directed “Critters 2”, “Psycho IV: The Beginning”, and co-wrote the screenplays for major feature films such as “Batteries Not Included”, “The Fly 2”, and “Hocus Pocus”. In 2005, he created the Showtime anthology series, “Masters of Horror”. Until last year, he also hosted the popular podcast, “Post Mortem”, which features interviews with major filmmakers and other creators.

In this chat, Garris talks about his experiences on the sets of these two iconic short films, and gives insights into working with The King of Pop, as well as his memories of the friendship they developed.

Wishing all our MJ Fam around the world a happy Thriller Night!

Special thanks to Friend of the Show Adam Green for connecting us with Mick.

This episode was edited by Paul Black and Jamon Bull.

Additional Links
• Mick Garris’s website, Instagram, and Twitter pages.
• Mick’s “Post Mortem” podcast.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs. All proceeds go towards online running costs, upgrading equipment, and charity donations. Learn all about the various ways you can support The MJCast through visiting our website.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.

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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

171: Darryl Phinnessee Special

Jamon Bull welcomes renowned singer-songwriter Darryl Phinnessee to The MJCast for a discussion about his amazing career, including his many years working with The King of Pop.

Darryl is a Grammy-winning singer, and one of the industry’s most in-demand session and touring vocalists. He has worked in the studio with Quincy Jones, Stevie Wonder, and Whitney Houston, and toured with Don Henley, Rod Stewart, Lionel Richie, and more. He also spent seven seasons on one of America’s most popular TV shows – Dancing With The Stars. And, he wrote the iconic theme song for one of the most successful sitcoms of all time: Frasier, which saw him nominated for an Emmy.

In this interview, Jamon and Darryl dive deep into Darryl’s work with Michael Jackson, which spanned many years. He accompanied Michael on all three of his solo tours – Bad, Dangerous and HIStory – providing backing vocals but also joining Michael on center stage, with featured spots during “I’ll Be There” and “Black or White”.

Being a fixture in Michael’s touring band meant he helped make history. He was on stage for Michael’s record-breaking HBO Pay-Per-View concert “Live In Bucharest 1992”, and for his game-changing 1993 Super Bowl performance.

Darryl remained a go-to collaborator for Michael right up to the end of Jackson’s life. In 2009, Darryl was one of the few fixtures from previous tours to have been kept on for the planned This Is It residency in London.

This episode was edited by Jamon Bull.

Additional links
• Darryl Phinnessee’s Facebook page.

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

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TheMJCast.com
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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!

170: That Broken Guitar String

Charles Thomson and Gratian Dimech team up for a discussion on major updates in the world of Michael Jackson and the Jackson family. This episode serves as a follow-up to #TheMJCast169. They talk about the heartbreaking news of Tito Jackson’s sudden passing, a revelation around the Estate’s legal action regarding the possible threat of new allegations, and the long-awaited release of “Faking Michael” by Damien Shields, an investigative true crime podcast which uncovers the full story of the fraudulent songs released after the death of Michael Jackson. Charles and Gratian then finish out the episode by talking about Janet Jackson’s problematic Guardian interview, and Charles’ experience seeing Janet live in Paris last week with Jamon.

This episode was edited by Jamon Bull.

Discussion Topics
• Tito Jackson has passed away at age 70. Our deepest condolences go out to Taj, Taryll and TJ, as well as the entire Jackson family.
•  The Michael Jackson Estate engages law enforcement and files an arbitration claim in response to threats of new allegations.
• Damien Shields’ long-awaited investigative true crime podcast series, “Faking Michael”, has been released.
• Janet Jackson has given a problematic Guardian interview and launched the European leg of her Together Again tour (which Charles and Jamon went to see together).

Like this episode?
• If you have the means, consider a donation in any amount through PayPal to help cover our costs of creating the show. All proceeds go towards online running costs, upgrading equipment, and charity donations.
• We also have an official merchandise shop. Support The MJCast and Michael Jackson all at the same time by buying some of our fun merch.
• Learn all about the various ways you can support and engage with The MJCast through visiting our website.

Connect with Us
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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!