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Bob Jenkis, award-winning filmmaker and editor, joins Jamon Bull and Paul Black for an in-depth interview about his career and his work with Michael Jackson.
Jenkis is an icon in the world of music videos, film and advertising, and is known for shaping the look of modern film editing. Working in the industry since before the dawn of MTV, he has edited clips and cut music videos for an incredibly wide range of music legends, including Janet Jackson, Madonna, Prince, Aretha Franklin, Stevie Wonder, Quincy Jones, James Brown, and many, many more. He has also been deeply involved in the production of large-scale network television specials and concerts.
His long-running relationship with Michael Jackson began in the early 1990s, when he made spots for the “Dangerous” album—work which was used later as the opening to Jackson’s European Tour, his “Live In Bucharest” concert film, and was included in two compilations of music videos under the title “Brace Yourself.” Jenkis also edited “Live from Bucharest”, an epic task he completed in only 10 days before it aired on HBO. He continued to work on a number of projects for the King of Pop over the years including never-before-seen versions of Ghosts and the HIStory teaser, and concluded his time working with Michael by consulting on promo spots for “This Is It” just months before Jackson’s passing in 2009.
In this deep-dive chat, Jamon and Paul get the inside scoop on all of these incredible moments in Michael Jackson history, as well as rare insights into the technical elements of these massive projects.
This episode was edited by Charlie Carter.
Additional Links
• Bob Jenkis’ website.
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If you have feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Keep Michaeling!
Brilliant episode. Bob shares so many anecdotes about how Michael Jackson worked or what he wanted, about the material that they created together or Bob created for him, it’s a fascinating interview.
I remember watching the live broadcast of Bucharest that October 1992 evening with my parents and the disappointment when they missed the toaster! It made you wonder if whover was directing the filming was familiar with the show.
Bob’s edit afterwards was such a relief.
It would have been interesting to get his views on other pieces like “Wind” or the interludes during the interview with Oprah.
Let’s hope Brace Yourself can be remade in high defition someday!
Alexandre (he/him)