About Jamon Bull (Admin)

An Australian guy who loves tech, sci-fi, music, film & history. I also host a Michael Jackson podcast called The MJCast.

Episode 109 – Michael Trapson Special

Q and Jamon are joined by fellow Michael Jackson podcaster and host of Moonwalk Talks, Jankins, to interview none other than Dean Morrow Jr., AKA Michael Trapson. Trapson, has been releasing music since as early as 2010, but more recently has evolved into a director, videographer, filmmaker and recording engineer who brings to fruition creative reinterpretations of Michael Jackson as a southern rapper and trap artist, called Michael Trapson.

Catchy, hilarious, provocative and featuring incredible production value, Trapson has released a range of hit songs and videos that have garnered millions of clicks on YouTube. From ‘Billie Jean and I Dab’ and ‘If Michael Jackson Was a Mumble Rapper’ to his most recent work, the phenomenal ‘Trapson EO’, the MJ community just can’t get enough.

In this episode, Q, Jamon and Jankins interview Trapson about his fascinating career, Michael Jackson’s history and the reality of being a Michael Jackson fan in 2019.

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If you have any thoughts, opinions, or feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.comKeep Michaeling!

Episode 099 – Leaving Neverland Q&A

As Leaving Neverland continues to reverberate through the Michael Jackson community, many questions have risen to the surface. In this special Q&A episode, Jamon Bull is honored to welcome two experts to the show to answer listener-submitted questions. The MJCast Legal Correspondent, Charles Thomson, along with author, journalist and Friend of the Show, Mike Smallcombe, have both been vital advocates for Jackson during this difficult time, appearing on television interviews as well as publishing articles to spread the truth about these accusations.

Charles and Mike cover a wide range of topics in this special discussion, ranging from the history of the 1993 and 2005 allegations, the facts about Robson’s and Safechuck’s interactions with Michael Jackson and the Jackson Estate, inconsistencies in the Leaving Neverland film, how things might play out with a possible appeal, the effects on Michael Jackson’s legacy, going forward, and much more.

The MJCast team appreciates the overwhelming response in preparation for this episode, which resulted in over 200 submitted questions. They also thank listeners for understanding that not each and every question could be addressed in detail, though they did their best to curate a list which covered all topics. The team hopes that the insights from this episode are helpful, both in terms of listeners’ own understanding of this situation, and in providing guidance and guidelines when speaking to those outside the fan community.

Participants

Questions

  1. Mercedes Donis (email) – General MJ. Negating the “predator profile.” Can you briefly outline all the differences between EACH accuser and how they show differences in MO?
  2. Elsa Anderson (Email) – The 1993 case settlement has sorts of two explanations. Could you shed some light on how they fit together or what is true? Explanation a)The insurance company paid against MJ’s will,which is supported by Mesereau and Scott Ross and was brought into the 2005 trial as a legal document. It’s said to be possible to go against the client’s will, when it’s litigation and the settlement of course was on the litigation charge. Explanation b) It was MJ’s legal team that, after not being able to postpone the civil trial (until after the eventual criminal trial) and especially after Mr. Cochran joined the team, talked MJ into settling and that Cochran made sure the insurance company would pay, before settling. This is supported by Geraldine Hughes – the legal secretary of Rothman and writer of the book Redemption, who also claims an insurance company can’t do anything against their client’s will. Only thing clear is that MJ’s, Cochran’s and Weitzman’s signatures are on the settlement, as leaked to the press, early on in the Arvizo case.
  3. @tafattsbarn (Twitter) – Can Thomson explain the alleged match of Jordan’s description of Jackson’s genitalia in 1993? People who believe MJ is guilty are now completely convinced the photos matched even though I know that the narrative before was that it didn’t match. They often reference Dr. Richard Strick and Gary Spiegel as people that confirmed it matched. Moreover, if it did match, then why did the prosecution try to enter it into evidence so late in 2005, only to be declined? Wouldn’t it have been incriminating and so they should’ve entered it earlier?
  4. @Devon_DaVinci (Twitter) – I know, I may be in the very small minority, but I feel kind of bad for Jordan Chandler. I know, hear me out. From all of the sources I have studied, which was a LOT. Jordan was dragged into the accusations by his parents and was influenced to stick to it. And even when he went with his dad’s team to meet with Michael and his team, Jordan was described running up to and hugging Michael as if nothing ever happened. After the case was settled he quickly cut contact with his family and I have heard that the main reason was because of what they did to his friendship with Michael. And Jordan has gone out of his way, even leaving the country, to not testify against Michael in court. I know he was barred from talking to the media so that’s why he never made a book or documentary. He was assaulted by his father around the same time he was being asked to go to testify in the 2005 trial. I heard a rumor that the two incidents may have been related. I know this is speculation but what if Jordan is just an MJ fan that go the chance of a lifetime to meet his idol and play and hang out with him, but due to corrupt parents was dragged into a situation that found him now against his Idol and hated by the community he wants to still be apart of? Before you ask, no I’m not Jordan Chandler, lol.
  5. @ZoroastersChild (Twitter): On Evan Chandler’s suicide, Geraldine Hughes had said in the Nicole’s View interview on YouTube that she believes he was murdered. Any thoughts on that?
  6. @ZoroastersChild (Twitter): Why isn’t Geraldine Hughes invited onto mainstream platforms to speak about the 1993 case?
  7. Domna Stavridou (email)- Hello Mike and Charles, thank you so much for doing this! You are such great people! I’m still stuck in something, which I can’t quite understand. Can you please explain once again, after the Martin Bashir documentary, why did Gavin Arvizo and his mother turn their backs on Michael? I still don’t get it. Did his mother force him into it (like Even Chandler did)? Or did they both develop hate? Did they want to destroy Michael just because they felt abandoned and wanted money? What was the reason again? Thank you so much, keep doing what you are going! Many regards from Greece, Domna Stavridou!
  8. @tafattsbarn (Twitter) – Is it true that two of the legal art books that were depicting nude boys were found in “a locked filing cabinet in Jackson’s bedroom” as stated by the prosecution and later during Rosibel Smith’s testimony (page 10 onwards)? It sounds pretty suspicious.
  9. Martina van der Linden (Facebook): I’d like to know how long Michael’s FBI investigation really was. There are many versions out, from 10 years to 12 years or even 17 years. I know Charles was one of the people who back in 2009 asked for those files to be released, so he might know more about this subject and what kind of investigations the FBI did. I think it’s important to know more about what type of investigations the FBI did in order to get your argument right in case you need it.
  10. Caroline Lewis (email) – Hi MJCast!I would love to hear Mike and Charles’ position on Jim Clemente. I’ve heard a few podcasts where he says things like Jordan and Gavin’s experiences completely corroborated; that a computer was seized at Neverland that had the drive completely wiped; and that Jordan was ready to testify at the 2005 trial against Michael. Jim said that Jordan didn’t due to a family illness but that Jordan wanted to pursue a criminal case against Michael if he was acquitted, but ultimate didn’t because of the statute of limitations. Are these points credible/verifiable? Why would a former FBI agent lie? Also are there no implications for him to be going on air discussing Michael molesting Gavin as if it’s fact, when Michael was acquitted of these charges – or do the same defamation laws apply? Thank you both for your hard and thorough work! Best wishes, Caroline.
  11. @deepika1038 (Twitter) – Can you tell us what are the inconsistencies between wades own court documents and his Leaving Neverland documentary? Now we know about grand canyon, is there anything else like that?
  12. @f861c5b3a4ea4f9 (Twitter) – Also, do you think all the family members are lying? The mothers and also the siblings and the grandmother too? Or are they being lied to too, so they’re reactions are real?
  13. @drhajarat (Twitter) – What is the real story about video of [Michael] in disguise shopping for a ring with the young James Safechuck?
  14. Debbii Longshaw (Facebook) – Do you think that Dan Reed is actually complicit in all the lies (apart from lack of research) or do they think that like us, he was hoodwinked by Wade & James, and is just another unfortunate pawn in the larger game?
  15. @MJJRepository (Twitter) – What is your interpretation of Dan Reed admitting (in the Billboard interview) that the footage from Wade’s “1st take” of telling his abuse story was lost due to his camera breaking? Seems like a convenient excuse to film numerous takes and cherry pick which clips are more believable.
  16. @annettaaa (Twitter) – Could you talk about how Dan seems to try sweep important things under the rug and how we are not accusing Wade and James of perjury in 1993 or 2005 (they were telling the truth then) and that when we say they are perjurers it is in their 2012/2013 cases? He always brings that up incorrectly.
  17. @KingLeahMay (Twitter): Why are there no updates about what is happening with Wade and James? I find it interesting how *every last* detail about people like Jussie Smollett, or Nipsey Hussle, or R Kelly are leaked to the public but no word on wade and James. they’re literally gone from the scene.
  18. @Tina_the_Kitten (Twitter) – Does anybody know when the appeal is going to take place? Any dates of a new court process for James Safechuck & Wade Robson?
  19. Simon Clarke (email) – Hi Guys, question: Do you think if Wade Robson and Jimmy Safechuck lose their appeal, that could change the opinion of those who think Michael Jackson might have abused them? If they win, is it effectively game over for MJ’s legacy?
  20. @AngryAngel87 (Twitter): With all of the evidence against them coming out (plus their previously failed lawsuits) do you honestly believe they have any chance with this appeal in a court? Also if this appeal fails, again, do you think that’ll change the current narrative on MJ?
  21. Denise Lim (Facebook) – I first saw Mike Smallcombe getting the word out through The Mirror and I know about Charles Thomson on BBC radio. Even with your professions, how challenging was it to get the facts onto these public platforms, given the total anti-MJ climate previously?
  22. @TheMJAP (Twitter): My question, mainly for Mike: SO many lies and SO many inconsistencies in Leaving Neverland (compared to trial transcripts). Smoking gun, however, was the train station – tangible, physical evidence of a fraudulent claim. How did you even *think* to investigate it’s build date?
  23. @ViolaKl00485493 (Twitter): Can you name any other journalists that you think are doing a great job at scrutinizing the current allegations?
  24. @mixinghistory (Instagram): Do you agree that us, the fans, should stop supporting people like Paul McCartney and Ellen after their comments on the film?
  25. @SeanJoeFitz (Twitter): Are Michael’s kids able to sue for pain and suffering that this tv show has caused them? This will get these twoguys into court under oath.
  26. @wceliam2 (Twitter): You are walking down a street and bump into Wade. What do you say to him?
  27. Claudia Sanchez Maureira (Facebook) – There has been a theory in the fan-world that Harvey Weinstein might have financed Leaving Neverland as a strategy to deviate the attention on his own allegations. To me, that theory is a “little bit too much”. Do you know if there are concrete reasons for suspecting this or is it just because there are pictures of Oprah with him on friendly terms that some fans are saying that?
  28. Let Mino (Facebook): In the Zeitgeist we are in now, isn’t it true that we *have to* take allegations like that from alleged victims seriously? And serious allegations need serious investigations? At first, we as a society have to take them seriously and then investigate *seriously* to see if they make any sense? If we call alleged victims liars immediately, what does that do to actual victims that didn’t speak out yet? I have no answer, I am just thinking of all the abuse victims that are connected directly to the current discussions…
  29. @kustecanja (Instagram) – In your opinion, what are some of the reasons that so many people judge MJ for his eccentricities and call him a weirdo and believe literally every single lie about him, but turn a blind eye when it comes to other celebrities, who are also not perfect?
  30. @look.over.your.shoulders (Instagram) – What do you think is the concise yet effective response to people in real life who bring up the documentary or say something negative about Michael regarding these accusations?

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If you have any thoughts, opinions, or feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.comStay BAD!

Stop Leaving Neverland Now

The 2019 Sundance Film Festival is set to premiere Leaving Neverland later this month. The film is a new two-part 233 minute Dan Reed documentary, focusing on the alleged sexual abuse of Wade Robson and James Safechuck by Michael Jackson.

Following initial confusion around who the subjects of the documentary might be, the website for Reed’s Amos Pictures clearly shows a photo with Jackson and Robson, who testified in Michael Jackson’s 2005 criminal trial as a defence witness, and then later sued Michael Jackson’s Estate claiming he was molested after-all, only to have his case thrown out in 2017. 

A representative for Michael Jackson’s Estate has commented “This is yet another lurid production in an outrageous and pathetic attempt to exploit and cash in on Michael Jackson. Wade Robson and James Safechuck [who was Jackson’s companion as a child and sued Jackson’s estate over sexual abuse claims] have both testified under oath that Michael never did anything inappropriate toward them. Safechuck and Robson, the latter a self-proclaimed ‘master of deception,’ filed lawsuits against Michael’s estate, asking for millions of dollars. Both lawsuits were dismissed. This so-called ‘documentary’ is just another rehash of dated and discredited allegations.  It’s baffling why any credible filmmaker would involve himself with this project.”

Join with us in demanding that this production does not go ahead. We must demand that the Michael Jackson estate pursues legal action and shuts this documentary down.

Michael Jackson Estate Co-Executors
John Branca (johnb@ziffrenlaw.com)
John McClain (jmcclain2004@aol.com)

Michael Jackson Estate Attorney
Howard Weitzman (hweitzman@kwikalaw.com)

For sample email text, please feel free to personalise the below.

Dear Sirs,
 
I am writing to implore you to take immediate legal action over a new film accusing Michael Jackson of molesting two boys.

Sundance Film Festival has announced plans to screen a film titled Leaving Neverland, in which Wade Robson and James Safechuck will accuse Michael Jackson of grooming and molesting them over a years-long period. 
These two men, as you know, were behind a lawsuit which the Estate successfully had thrown out of court in 2017.

It goes without saying that in the wake of the #MeToo movement and the move towards trial by media over allegations against celebrities, this film poses the most existential threat to Michael Jackson’s reputation and legacy since his death in 2009.

For roughly the last five years, the Estate has used its vast resources to mount legal challenge after legal challenge to frustrate and delay a lawsuit by Vera Serova over the inclusion of three fake songs on a posthumous album. It has also used its clout to suppress a positive documentary about Michael Jackson’s final photo shoots.

So fans around the world are now questioning why the Estate is not using its power and resources to try to block the release of this extremely dangerous film, which has the potential to completely decimate Michael Jackson’s reputation forever.

In 2017, a campaign by Michael Jackson’s family and fans successfully blocked the release of a film in which Michael Jackson was to be portrayed in a demeaning way by the white actor Joseph Fiennes.

That film was merely insensitive. This film could destroy Michael Jackson’s reputation forever. The Michael Jackson fan community therefore calls upon you to employ every legal resource and avenue available to you to frustrate, impede and sabotage this film in any and every conceivable way. 

Sincerely,

[Insert name here]

Jamon Bull

Episode 091 – The Rarest of Beards

Jamon and Q are back with their first regular news and discussion episode in quite some time. The fellas kick things off with a bit of follow up around the recent Thriller 3D Roundtable episode and a fun story from Jamon’s recent Awards Night experience for work.

Following this, Jamon and Q delve straight into the news, covering The Jacksons’ upcoming Australian tour, more MJ auctions, a new Netflix show featuring Jackson 5 music and the recent Heal The World demo leak. This is followed by discussion around Taryll Jackson’s new music, Michael’s place atop Forbes’ highest earning deceased celebrities list and Amazon’s new holiday ad campaign. To round out the news, the boys chat about Anthony King’s new book on the Dangerous World Tour and Vincent Paterson’s upcoming charity fundraiser around Debbie Reynold’s Legacy Studio’s floorboards.

The MJCast’s main discussion topic’s this week include 2018’s #RemoveCascioTracksNOW campaign and a new article quoting Sony’s CEO, Rob Stringer, revealing his plans for future Michael Jackson music releases.

Follow Up

News

  • The Jacksons are set to tour Australia and New Zealand as part of the Summer Series music festival in January 2019
  • One of Michael Jackson’s wigs is up for auction, as well as a black Bad Tour costume, and collection of drawings and hand written poem of Planet Earth
  • Jackson 5 classics to be featured in new children’s Netflix show, Motown Magic
  • Heal the World demo studio recording leaks
  • Taryll Jackson releases a new song titled Next Time
  • Michael again tops the list of highest earning deceased celebrities
  • Amazon’s 2018 holiday campaign is based around the Jackson’s classic track, ‘Can You Feel It’
  • The MJCast’s Live Performance Correspondent Anthony King has announced his new book ‘Anthony King’s Guide to Michael Jackson’s Dangerous Tour‘ through a YouTube video at Germany’s Olympic stadium in Munich
  • Vincent Paterson is selling floorboards that Michael Jackson danced on from Debbie Reynolds’ Legacy Studio

Main Discussion Topic

Finds of the Week

  • Jamon – Viral Dancer Salif Gueye wows Ellen with his Michael Jackson moves. The video that first caught my attention was this one!
  • Q – John Cameron’s Musicology Podcast is now available on Apple Podcasts!

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If you have any thoughts, opinions, or feedback on this Michael Jackson podcast episode, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.comKeep Michaeling!

Remove Cascio Tracks Now

Eight years ago, on November 8th, 2010, Sony Music and the Estate of Michael Jackson ignored the express wishes of the Jackson family, Michael’s collaborators and his loyal fans. They released a track that they falsely stated was sung by the King of Pop, the Eddie Cascio and James Porte produced ‘Breaking News’. Five weeks later, the song and two other fakes were commercially released on an album sold to millions of fans around the world. The album, ‘Michael’, is still available for purchase through physical and digital retailers, bringing continual profits to those who were complicit in the fraud.

The time has come to once again raise our voice as one and remind Sony Music and the Estate that we will not stand for such disrespect and vandalism of Michael Jackson’s artistic legacy. Demand change. Demand they #RemoveCascioTracksNOW. We will continue our call to action through December 14th, the eight year anniversary of the ‘Michael’ album’s release, at which time we will request a formal response from Sony & the Estate. If sending an email, include the following recipients.

Sony Music CEO
Rob Stringer (rob.stringer@sonymusic.com)

Michael Jackson Estate Co-Executors
John Branca (johnb@ziffrenlaw.com)
John McClain (jmcclain2004@aol.com)

Michael Jackson Estate & Sony Music Attorneys
Howard Weitzman (hweitzman@kwikalaw.com)
Zia Modabber (zia.modabber@kattenlaw.com)

For sample email text, please feel free to personalise the below.

Dear Rob, John, John, Howard and Zia,

December 14th will mark the eighth anniversary since the release of Michael Jackson’s first posthumous album, ‘Michael’.

My name is [insert name here]. Unfortunately, I’m not writing to you today to express joy around your representation of the greatest entertainer who ever lived, like I’d one day hope to be able to, but to express my disappointment that there are still fake Michael Jackson songs for sale at retail outlets (online and physical) around the world even after eight years of protest from Michael’s family and fans.
The songs I am referring to are known as the Cascio tracks, a set of songs written, produced and arranged by Eddie Cascio and James Porte, sung on by vocal impersonator Jason Cupeta AKA Jason Malachi, and then sold to Sony Music. Three of them; Breaking News, Keep Your Head Up and Monster, were included on Michael’s titular debut posthumous album in 2010. I’m sure you’re aware of the controversy that ensued after ‘Breaking News’ premiered on www.michaeljackson.com eight years ago.
Regardless, any member of Michael’s family that has spoken out about this issue has said the songs are fake (including some of his beneficiaries). Most of Michael’s studio collaborators have confirmed the same thing and thousands upon thousands of his fans, yet the songs remain for sale. It concerns me greatly that Sony and Michael’s estate executors continue to defend the people who are responsible for this fraud, instead of defending Michael’s own beneficiaries and Michael’s artistic legacy itself.
This is an affront to what Michael stood for as an artist. He publicly stated he wanted to immortalise himself through his work. Michael deserves much better than this. So here’s what I am asking for…
1) All three Cascio tracks are permanently removed from sale in all retail stores around the world (digital and physical).
2) The Estate of Michael Jackson & Sony Music release public statements apologising to fans for selling fake Michael Jackson songs.
3) Fans who wish to receive a refund for the 2010 ‘Michael’ album are offered one.
I appreciate the position you found yourself in, in 2010. In fact, many fans agree that the Estate and Sony are victims of the Porte/Cascio fraud too. Im sure there were contracts signed, but I see no excuse for ignoring the advice of Michael’s own mother, a beneficiary to his Estate. The right choice would have been to not include the songs on the Michael album and to challenge Eddie Cascio and James Porte in court, but alas, it’s not too late to do the right thing, even though eight years have passed.
I hope that I don’t need to send a similar email to this one in the future, but I will continue to contact you until this matter is resolved. I would really appreciate a reply from someone this time. Let’s open the lines of communication around this.


Sincerely,

[Insert name here]

“Cause there’s a time when you’re right and you know you must fight.” – Michael Jackson.

Jamon Bull

Thoughts on Sony…

As Sony Music issues an email to retailers calling Michael Jackson the ‘self-proclaimed King of Pop’ and referring to him as ‘Jacko’, The MJCast’s Jamon Bull explores the star’s troubled relationship with the label.

In the summer of 2002, Michael Jackson put his career on the line. Taking the stage on July 9th, at the headquarters of Reverend Al Sharpton’s National Action Network in Harlem, New York, Jackson was the main speaker at an event titled “Equality for Blacks in the Music World”. Standing shoulder to shoulder with a host of musicians, producers and music executives, the King of Pop accused the record industry of racism and corruption, alleging a ‘conspiracy’ to create a systemic disadvantage for black artists signed to major record companies, including himself. His childhood heroes – game-changing artists whose innovations continued to inspire new generations – were never adequately compensated, he lamented.

“It’s very sad to see that these artists really are penniless,” he told the crowd. “They created so much joy for the world and the system, meaning, the record companies, totally took advantage of them. And it’s not like they always say, you know, ‘They built a big house, they spent a lot of money, they bought a lot of cars’. That’s stupid. That’s just an excuse. That’s nothing compared to what artists make [for the record labels]. I’m really, really tired of the manipulation. I’m tired of how the press is manipulating everything that’s been happening in this situation. They do not tell the truth.”

The July 9th event was the third time in less than a month that Jackson had excoriated the music industry in a public speech – and the media reaction to the previous two had been unkind. His latest album, Invincible, had sold just over five-million copies since its release eight months earlier – a colossal hit for any other artist, but below what Jackson, his label and the media had come to expect from the King of Pop. The project had been branded a ‘flop’ and a public war of words had broken out between the artist and the label.

Sony claimed it had spent twenty-six million dollars on promotion but that Jackson had demanded unjustifiable sums for music videos and refused to travel or tour to boost sales. Jackson countered that Sony was lying about how much it had spent, saying he believed the label was deliberately sabotaging the project to ensure it made a loss, so executives could try to seize his fifty per cent share in the company’s music publishing catalogue as payment for the debt. Sony’s former vice president Cory Rooney would later say in an interview that Jackson had been correct all along.

His trip to New York had come shortly after a visit to London, where he had demonstrated outside Sony’s UK headquarters with fans and, on June 15th, delivered a speech claiming the label was trying to sabotage him.

“Being the artist that I am at Sony, I’ve generated several billion dollars for Sony,” he said. “I’m leaving Sony a free agent, owning half of Sony… and they’re very angry at me because, well, I just did good business, you know? So the way they get revenge is to try and destroy my album.”

“Michael’s going gangsta today!” one excited fan screamed.

But he wasn’t done. On July 6th, he took to the stage at the National Action Network for the first time and ramped up the pressure on Sony, this time making a potentially industry-shaking claim – that the company’s CEO, Tommy Mottola, was a racist.

“The record companies really, really do conspire against their artists,” he told an assortment of national and international news crews. “They steal, they cheat, they do whatever they can. Especially the black artists. Sony, Tommy Motolla is the president of the record division. He is mean, he is a racist and he is very, very, very devilish… Tommy Motolla made some very racist remarks. What he said was, to one of the artists who worked at Sony, who has a contract with the record company – he called him a ‘fat, black n****r’.”

The comments sent shockwaves throughout both the record industry and the media. One can’t underestimate just how bold an act this was for Jackson. He wasn’t just attacking one of the most important men in the recording industry, but as a board member of Sony Music and fifty per cent owner of its publishing empire, he was blowing the whistle on his own company, which he had helped to build.

But what fans saw as Michael’s ’emancipation’ moment, the media appeared to consider as little more than an uppity black man playing the race card. The media scolded Jackson for daring to bite the hand that fed him.

Sony issued a statement calling Jackson’s allegations ‘ludicrous’, ‘spiteful’, ‘hurtful’, ‘unfounded’, ‘unwarranted’ and ‘a serious abuse of the power that comes with celebrity’. Suggesting Jackson was mentally unstable, the company he co-owned stated: “The bizarre, false statements Mr Jackson made on Saturday make it clear that his difficulties lie elsewhere than with the marketing and promotion of Invincible.”

According to several media outlets, Sony sources began briefing off-the-record that the real reason Invincible hadn’t sold well was because Jackson was perceived as a child molester – although that would fail to explain the far greater sales of other Jackson projects released subsequent to his having been accused in 1993 of abuse. The New York Daily News quoted one anonymous executive saying: “Charges of pedophilia have really spooked a lot of American record buyers.”

The Washington Post accused Jackson of ‘pulling the race card’ because his career was ‘sliding into the abyss’. It said ‘riled up’ Sony execs were briefing the media that Jackson was a ‘weirdo’ and a ‘pouty diva’. Mocking Jackson’s skin condition vitiligo, WPGC-FM radio DJ joked that Jackson’s next song should be, ‘Say It Loud, I’m Vanilla and I’m Proud’. Michael Miller, at Columbus Business First, branded Jackson ‘a flaky, spoiled has-been, more famous for his plastic surgery than his music’.

The New York Post’s Eric Fettmann said Jackson’s ‘wild charges’ had made for a ‘bizarre spectacle’, particularly given Jackson was ‘racially androgynous’: “[Jackson] has made millions upon millions of dollars, but now plays the race card in a desperate attempt to deal with his declining popularity and precariously dwindling finances.”

The media backlash was so severe that even Al Sharpton distanced himself from Jackson’s comments, saying: “I have known Tommy for fifteen or twenty years, and never once have I known him to say or do anything that would be considered racist.”

But the suggestion that Jackson’s gripe with Sony was rooted in poor sales of his album Invincible was disingenuous. The first sign of tensions between the two appeared in an interview Jackson conducted with a fan magazine, Black and White, in 1998. The star and his interviewer were discussing his 1997 album Blood on the Dancefloor, which – despite fairly recent allegations of child abuse – had broken a Guinness World Record to become the biggest selling remix album of all time.

Asked whether he liked the remixes, Jackson responded that he didn’t: “The least I can say is that I don’t like them. I don’t like that they come in and change my songs completely. But Sony says that the kids love remixes.”

Upon hearing from the fan that the fans didn’t really like remixes, Jackson reportedly threw a fist in the air, then sighed and shook his head, muttering: “I knew it. I was sure.”

In the next few years, as he recorded Invincible, relations between the artist and label worsened – particularly between Jackson and Mottola. According to a source who spoke to Rolling Stone magazine, Mottola became somewhat obsessed with Jackson, hiring spies to monitor his activities. The source was quoted as saying: “The minute Michael would get close to anyone, Tommy would hire a detective to investigate him.”

Jackson was even seen crying in the studio during recording sessions Mottola would visit. Music producer Bryan Loren recently sat down with The MJCast for a podcast interview and discussed how emotionally disturbed Jackson would become when Mottola showed up at the studio.

“I watched him go through a bunch of stuff even while I was with him… I watched Tommy Mottola dig in on him because he wanted to get the record done. We were working on Dangerous and I watched Tommy dig in on him. I didn’t see it. You know, Tommy came to the studio, went in the room, they were in the room for ten minutes, he came out and left and when Michael came out he was crying.”

Jackson’s aversion to Sony continued long after 2002, until his death – again undermining any suggestion that it was, as Sony called it at the time, a mere ‘publicity stunt’. Bodyguard Javon Beard said of Jackson’s final years: “His hatred of Sony was on a whole other level. One day, Mr. Jackson told us he wanted some headphones to listen to music while he walked on the treadmill. One of the other security guys went out and got him a pair. I was in the house less than a week later, and I saw that they’d been broken in half. These things weren’t dropped. They were broken on purpose. I picked them up and saw they were Sony headphones. I wouldn’t have bought him anything that said Sony on it, but whoever purchased them probably wasn’t aware of the situation.”

In terms of knowing exactly what Michael stood for, the 2000’s was simply not a confusing for Michael Jackson fans. It was a trying time perhaps, seeing their hero so embattled, but not confusing. Jackson was actively protesting Sony. And so did his fans. They saw him bravely waving protest placards above an open top bus, wearing a bullet proof vest. It was a call to arms, and fans proudly defended their hero through boycotts. Many still do.

In 2009, Jackson was tragically killed whilst rehearsing for his sold out London concert residency. Months after his homicide, the executors of his Estate sold him straight back to the very company he’d despised and spent the last seven years boycotting. Just over a year after his manslaughter, Sony released its first posthumous album – of remixes – to extreme criticism. Acting directly against the express wishes of his grieving relatives, studio collaborators and fans, Sony included three fake Michael Jackson songs, sung by a white vocal impersonator, on the album’s track-list. That incident remains the subject of ongoing litigation, in which Sony and Jackson’s Estate have conceded that the tracks are likely fake – but they continue to sell them.

Now – eight years after the Cascio fiasco, and sixteen years after Jackson’s anti-Sony protests, the label continues to disrespect him. Roughly a week ago, on July 23rd, a listener of our podcast leaked us an email from a high level executive at Sony Music Australia. This email, titled “SURPRISE: PRE-ORDER SETUP :: MICHAEL JACKSON PICTURE DISC VINYL RELEASES” contains extensive information around track-lists and “blurbs for websites” that wish to promote this new product. This collection of picture discs is a box set being released by Sony and Jackson’s Estate in celebration of his ‘diamond anniversary’.

Although there are a myriad of issues with this instructional email, there are two that can’t be overlooked. The author of this email provides the following information for retailers in describing the album Invincible:

“The question for a 42-year-old Michael Jackson heading towards the end of 2001 was whether or not the self-proclaimed King Of Pop could make his presence known on the charts after having spent much of the ’90s laying low. If the chart-topping position achieved by INVINCIBLE is any indication, then the answer is a resounding yes. The album is primarily produced by Jersey wunderkind Rodney Jerkins, and Jacko wasted no time tapping other top-flight artists and knob-twirlers to help out, including Teddy Riley, Babyface and R. Kelly.”

For a casual observer not averse to poking fun at Jackson as some kind of societal punching bag, the terms ‘self-proclaimed King of Pop’ and ‘Jacko’ may not appear particularly inflammatory. But for educated Michael Jackson fans, the use of this language by a company supposed to be representing Jackson’s interests is beyond incompetence. This belittling description was disseminated in an email by one of Sony’s highest paid employees. Their identity is being protected at the request of the person who leaked us the material.

The term ‘Jacko’ has long been a thorn in the side of Michael Jackson fans around the world. It was first used by British tabloid The Sun during the mid-to-late 80’s in the form of ‘Wacko Jacko’. This effort to paint Jackson as mentally ill and then mock him for it with a demeaning moniker stands in stark contrast to how the press have elevated white entertainment icons like Elvis and Bruce Springsteen, referring to them, respectively, as The King and The Boss. 

Using the term ‘Jacko’ wasn’t the first instance of The Sun publicly belittling a black luminary through attaching a derogatory title that calls into question their mental state. Following world boxing champion Frank Bruno’s retirement, and eventual mental health problems, the Sun ran a front page calling him ‘Bonkers Bruno’. The outcry was immediate, enormous and the paper had to change the front page for later editions and publicly apologise. Meanwhile, ‘Wacko Jacko’, also a slur on somebody for perceived mental health problems, continues to go totally unchallenged.

Michael Jackson himself made clear how hurtful he found the name ‘Jacko’ in a 1997 interview with Barbara Walters. When asked about the derogatory name, he passionately responded: “You should not say he’s ‘Jacko’. I’m not a Jacko. I’m Jackson… Yeah, Wacko Jacko. Where did that come from? Some English tabloid. I have a heart and I have feelings. I feel that when you do that to me. It’s not nice… Don’t do it. I’m not a wacko.”

Yet here we are in 2018, and his own record label is instructing music retailers to call Michael ‘Jacko’.

Sony’s instructional email also expressly tells retailers to call Michael Jackson the ‘self-proclaimed King of Pop’. Jackson himself refuted the allegation that he’d given himself this title, telling Oprah Winfrey in 1993: “I didn’t proclaim myself to be anything. I’m happy to be alive, I’m happy to be who I am. ‘King of Pop’ was first said by Elizabeth Taylor on one of the award shows.” In this instance, it’s likely that Jackson was actually wrong. The phrase ‘King of Pop’ was used to describe him as early as February 1985, by TV Guide.

The frustration for Michael Jackson fans with Sony’s album blurbs will not end with the use of this denigrating language. They are also riddled with errors. They claim that Jackson was ‘laying low’ in the 1990’s and that HIStory album includes the theme of suicide. The label even gets his age wrong and lists Leave Me Alone as being on the Bad vinyl when it actually isn’t.

Upon spotting these errors, The MJCast contacted the Sony executive who sent them out. Correspondence lasted several days. He seemed more interested in finding out the source of the leak than actually fixing the problems. Of course, the problems weren’t fixed, as retailers like JB Hi-Fi and Sanity are still using Sony’s descriptions on their websites.

In some handy investigative work, Richard Lecocq, co-author of ‘Michael Jackson: All the Songs – The Story Behind Every Track’, discovered that the text certainly didn’t originate from Sony, but was probably lifted from this website.

This has to stop. Sony and the Estate’s ongoing disregard for Michael Jackson must stop. They continue to sell fake songs on the Michael album. They continue to produce factually incorrect and ludicrous social media posts on their official accounts, including accidentally tweeting photos of impersonators, tweeting fabricated images and praising magazines who used the word ‘Jacko’. They continue to ignore fans’ wishes. And now, they’re actively calling Jackson a belittling name that he detested, while instructing major retailers to do the same. Michael Jackson didn’t protest this company in 2002 for nothing. He did it so his fans could rally behind him in demanding they treat him and all other black artists with the dignity they deserve.

To join us in expressing your frustration around this, email Sony Music Australia’s CEO at [removed] and tweet the company publicly at [removed] on Twitter. Demand that they contact music retailers and ask them to amend their advertisements to fix inaccuracies and remove the insulting names ‘Jacko’ and ‘self-proclaimed King of Pop’.

He’s not a Jacko. He’s Jackson.

Jamon Bull

Update (06/08/2018 5:50pm) – Gordon Pitt (General Manager of Sony Music Australia​, Legal & Business Affairs) has emailed The MJCast​ to apologise for errors in their marketing email and not correcting the language when I pointed it out to them. Sony has now contacted retailers who used the information to have it corrected. I can confirm that this is the case. JB Hi-Fi and Sanity have both updated their Invincible vinyl re-issue listings to remove offensive descriptions of Michael Jackson and factual errors. Thanks everyone in the fan community who raised their voices as one to fix this. Gordon has given us permission to share the below email.

Episode 074 – J Q&A


As Q’s off gallivanting around Europe with The Hubs, Jamon takes the reigns for his first ever solo Q&A episode. With a record-breaking 47 questions to get through, topics range from the state of the Estate, to unreleased Michael Jackson material, to Quincy Jones recent defamatory comments on Michael Jackson. Thank-you to all those listeners who submitted questions. It won’t be long until The MJCast kicks off Season Four, but until then, we hope this episode tides you over!

Lachlan Bradbury (email)
1) What inspired you to pursue a career in education as a history teacher?
2) What were your impressions and/or memories of Moonwalker when you first saw it?
3) What do you think is the best part about being a Michael Jackson fan?
4) How optimistic are you about the future of Michael Jackson product releases? That is to say, on the recent developments on Thriller 3D, the prospect of Ghosts and other Jackson films receiving restorations and high-definition releases etc.
5) How did you ‘break into’ the Michael Jackson fan community, and what advice would you give new fans who wish to engage with local fan communities?

Louis La Roche (email)
6) If Michael was still alive today, what would he make of the scandals surrounding two of his former ‘friends’ Donald Trump and R Kelly?

Carley Swan (email)
7) If The MJCast had started while MJ was still here, which year would you have started it and why?
8) How long does it take you to edit a show?
9) What are you most proud of about The MJCast?

Michael Wilson (email)
10) Any chance you guys will get Rodney Jerkins on the show? Invincible is the only album we barely know anything about. Would love his insight into those sessions.

Ashley White (email)
11) What is your favourite MJ interview(s)?
12) What is your favourite 3T song(s)?

Chris Lacy (email)
13) Name an artist/band/producer you wish Michael Jackson collaborated with in his lifetime. What would that song or album sound and feel like?
14) If the Estate were to construct a proper 30th anniversary tribute to Michael Jackson’s Dangerous album, what features should they include?
15) What, if anything, can the fans do to build a healthier relationship with the Estate to ensure we collectively present Michael’s artistry in the best way possible?

Rachael Tyler (email)
16) Justin Timberlake has been announced as the performer for the halftime show of Super Bowl LII. How do you think this will play out? Do you think Janet will be a surprise guest? If she is, what will that be like? I’m torn because I want her to return triumphant in front of the Super Bowl audience (AKA most of America), but honestly, that’s what the State of the World Tour was; her triumphant return. Performing with JT at the Super Bowl again, in my opinion, may just cement that 2004 event as the entirety of her legacy, especially for a new generation of young people. I would respect it if her decision is to not give JT or the NFL her time/attention. Maybe his set will just begin with a public apology from him to Janet. What are your opinions/predictions on this matter?

Magiel Jenen (email)
17) I have read that Michael was in the process of composing a classical piece of music at the final stage of his life. I understand he even had discussions with a composer on how t o improve, or compose the piece. Is anything known about this work? Like, how did he compose this, considering Michael did not write musical notes. Was anything ever recorded? Were other people involved? I’m really curious about this side of MJ we don’t know much about. I hope you have, or can find, a bit more info on this.

Madison Mariah Jones
18) Have you tried or are you planning on getting Teddy Riley as a guest? I’d really love to hear about he making of the Dangerous album. Thank-you in advance.

Felipe Hilario (Facebook)
19) I wanna know if you have any idea who owns the rights to the Triumph and Victory Tour footage and if there’s a chance that it’s actually released one day. The restoration they did of the Triumph Tour footage for the Journey from Motown to Off The Wall documentary looks stunning!

Adrien Prosen (Facebook)
20) With Michael’s 10th death anniversary approaching in the next 18 months, how, if at all, do you think the Estate should commemorate it? E.g. A re-release/repackage of currently released material? Unreleased stuff?

Sylvie Lefevre (Facebook)
21) When people ask you “what’s your favourite MJ song and why?”, can you actually answer that question?
22) If you had had the unbelievable opportunity to interview MJ and ask him just one question what would you have asked him?

J.D. (@MixingHistory on Twitter)
23) What do you think is Michael’s biggest missed opportunity?

Sharon Kistner (@Seylahvee on Twitter)
24) Do you think that in 20 or more years the world will look at Michael the way we fans do now as the genius that he was?

Liam (@wceliam on Twitter)
25) If you could, would you rather watch Michael sing Billie Jean with live vocals, with no dancing at all, or Billie Jean lip synced with his peak dancing?
26) Favourite and least favourite song off each solo album by Michael?
27) You’re walking down a street in LA and bump into John Branca. What do you say?

Bruce Aguilar (@yensid98 on Twitter)
28) Do you have a favourite piece of MJ memorabilia? Either something you own or not.

Travois! (@Travois_yt on Twitter)
29) How did you first hear about MJ, if you can remember.

Aust Ernst (@CreativeArtAPE on Twitter)
30) Predictions on the Estate moving forward? Will we see unreleased music like Get Your Weight Off Me & unreleased concerts finally released? This year? If not, when?

June Astford (@Jastford on Twitter)
31) Would like your opinion on Stranger in Moscow and Whatever Happens; two of my favourites that never seem to get much attention. I feel they’re constructed so beautifully.

Michael Clarke (@LoveSoul81 on Twitter)
32) Which producer would you like to have seen MJ work with and why?

Merita Simmons (@meritaapplehead on Instagram)
33) If Michael was still here, do you think Michael would use social media like Prince & Madonna or just let a team run official accounts? If so, which do you think would be his favourite social media platform?

Alexa (@sweetalexalove on Instagram)
35) If you had the chance to stay at Neverland for 24 hours, what would you do?
36) If Michael was alive, what would you say to him?

Slave to the Rhythm (@mjjhsavha on Instagram)
37) How do you think Michael would react to how fandom has adapted to recent developments in terms of establishing many layers of fan support through social media and different platforms? Do you think he would feel transparent through access that fans have to many aspects of his life or would he embrace the overwhelming support and dedication?

Hasa (@hasa81 on Instagram)
38) As Michael wanted to act more, what role do you think would have suited him?
39) What’s your earliest memory on MJ when he blew you away with his magic?
40) Other than singing live more, what would you have liked to see MJ do more in concert?
41) What singles would you replace with a non released album track/b-side?

Nathan. (@yougotnathan on Instagram)
42) What are songs released by other artists that you wish were MJ’s? For example, a lot of the Pharrell tracks that went to Justin Timberlake and Usher, etc. Also, do you think Invincible would have been more well received if MJ had taken those songs?
43) Will The MJCast ever do an Invincible album/era roundtable? Or although a stretch maybe reach our to Rodney, Dr. Freeze and others how worked on it? Loved the Michael Prince episode for that reason.

nat (@emxncipation on Instagram)
44) Your thoughts on Prince and Michael’s relationship?

Sammy (@sami.n.b.y on Instagram)
45) What happened with the rumours of an interview with Mr. Cupeta?

Joe Keegans (@joekeegans on Instagram)
46) If you were commissioned Chairman of the MJ Estate what would be the first thing/things you would change?

Jason Garcia of MJRadio
47) Hey Jamon, I think you should do at least a stream of Q’s declarations. It’s a hot topic now.

Additional Links
The MJCast – Episode 063: Q Q&A
The MJCast – Episode 069: C Q&A
The MJCast – Episode 072: Season Three Christmas Special
Michael Jackson’s Moonwalker
Donald Trump and Michael Jackson: The full story behind a mysterious friendship
Damien Shields’ Xscape Origins book
Michael Jackson’s 2005 interview with Geraldo Rivera
Michael Jackson’s 2007 interview with Ebony Magazine
3T – Anything
3T – I Appreciate
3T – Heaven
The Soulquarians Wikipedia page
Michael Jackson – Butterflies
A Truth Untold’s Twitter page
Michael Jackson’s Moonwalker – Sega Genesis (Angry Video Game Nerd Episode 63)
Michael Jackson – Stranger in Moscow
Michael Jackson – Whatever Happens
Michael Jackson in Men in Black 2
The Way You Make Me Feel live at Madison Square Garden in 2001
John Cameron’s #JCsMusicology – Michael Jackson (1988 – 1993)
John Cameron’s Janet, Jam and Lewis: Deconstructing 30 Years of Music [Broadcast Version]
The MJCast – Episode 041: Michael Jackson & Prince Roundtable (Part 1)
The MJCast – Episode 042: Michael Jackson & Prince Roundtable (Part 2)
Michael Jackson’s Dream Lives On podcast
MJRadio podcast
Donna Summer – State of Independence
Heal The World’s melody in the Jaws credits

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If you have any thoughts, opinions, or feedback on the show, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.comKeep Michaeling!

Episode 073 – Season Three Mixtape

Jamon and Q have interrupted their end of year break to bring you The MJCast’s second annual mixtape. This curated musical experience is made up of your top-voted, favourite songs from our third season, as well as a few of Jamon and Q’s select favourites. Sit back, put your headphones on and let the groove get into you!

Tracklist
1. Michael Jackson – Wanna Be Startin’ Something (Louis La Roche Remix)
2. Michael Jackson – Jam/2000 Watts ONE Supermix
3. Janet Jackson – State of the World (United Nations 7″ Remix)
4. Michael Jackson – Remember the Time (Human ’86 Remix)
5. Jackson 5 – The Love You Save (Nick* Redux)
6. Michael Jackson – Best of Joy (Acoustic by Nick* & CCMC)
7. Michael Jackson – For All Time (Eric Hudson Remix)
8. Laura and Berwyn – Human Nature
9. Michael Jackson – Human Nature/Never Can Say Goodbye ONE Supermix
10. Duo Alve – Black or White (Flute and Guitar)
11. Michael Jackson – Man in the Mirror (Groovefunkel Remix)
12. The Game – Better on the Other Side (feat. Chris Brown)
13. Cyrano, Esq – Peace For Your Soul
14. Funkyphon – Stranger in Moscow (Orchestral Version)
15. London Symphony Orchestra – Earth Song
16. Michael Jackson – Smooth Criminal (BlkPanther SOLO Orchestral Mix)
17. Michael Jackson – Thriller (35th Anniversary SWG Extended Mix)
18. Michael Jackson – Threatened (Crook County Remix)
19. Michael Jackson – Blood on the Dance Floor (20th Anniversary SWG Extended Mix)
20. Michael Jackson – They Don’t Care About Us (Nick* Crook County Remix)
21. Michael Jackson – Hollywood Tonight (Demo)
22. ForceStudios – Moonlight Groove
23. Michael Jackson – A Place With No Name
24. Michael Jackson – Liberian Girl (Master Chic Mix)
25. Jackson 5 – I Want You Back (Accents Bring the Sun Remix)
26. Janet Jackson – Dammn Baby (Noodles Remix)
27. Janet Jackson – Rhythm Nation (2017 Bit Error Remix)
28. Michael Jackson – Bad (Dance Extended Mix)
29. Michael Jackson – Human Nature (Louis La Roche Remix)
30. 3T – I Need You (Christmas Mix)
31. Tito Jackson – So Far So Good (feat. 3T)

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If you have any thoughts, opinions, or feedback on the show, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.com. Michael on!

Episode 072 – Season Three Christmas Special

Once again it’s time for Jamon and Q to wrap up the current season of The MJCast podcast, have a little break to recharge, and then come back with our next season in the new year. Without you all tuning in to our little podcast, we wouldn’t be able to do what we do, so thank-you for listening!

Jamon and Q start this episode with a wrap up of the past year at The MJCast and it’s been a big one! They share their favourite moments as it proves too hard to pick just one each.

The boys then offer their final news segment for 2017, covering Paris Jackson’s covershoot and interview for L’uomo Vogue, the recent trademark filings of the Michael Jackson Estate and 2018 concert date announcement for 3T in Italy and France before hearing directly from Jackson Family Correspondent Janneke of Jackson Source about Jermaine Jackson sharing the stage with his sons Jaafar and Jermajesty. Jaafar Jackson also features in the current issue of D’Scene magazine. Wrapping up 2017 news, the fellas cover the recent announcement that The Estate and Sony have extended their business partnership results in an expected response from MJ fans the world over and the newly released Blood on the Dancefloor X Dangerous extended mix. Ending on some good news, Jamon and Q explore the latest development in the Wade Robson molestation allegation court case, which has resulted in a dismissal!

Our Season Three highlights reel features clips from our special episodes this year, with appearances by Tito Jackson, Michael Prince, CJ DeViller, Remixed by Nick*, Ryan Michaels and Charles Thomson, Isabelle Petitjean, Brice Najar, Jonathan “Sugarfoot” Moffett, Vincent Paterson, Hector Barjot, Joseph Vogel, Ola Ray, and most recently, Andy Healy, and Chris Lacy. Then, what’s next for The MJCast? Jamon and Q drop some hints!

Again, thank-you for your support and listenership of The MJCast, it’s been a heck of a ride this year, but we appreciate you being with us for the journey, and look forward to bringing you a new season in 2018. Merry Christmas to you and your loved ones, and best wishes for a wonderful 2018 new year!

Follow Up

  • Year in review
  • ‘How Michael should be remembered’ segment now shifting to June 25th episodes

News

  • Paris Jackson follows in her father’s footsteps and works with L’uomo Vogue for a photoshoot
  • Michael Jackson’s estate files a trademark application for the phrase “Neverland Ranch” for a number of entertainment services, including a museum
  • Apple’s CEO & founder Steve Jobs loved listening to Michael Jackson’s Billie Jean while doing photoshoots, according to former publicist
  • 3T are set to perform live in Naples on Michael Jackson Day 2017 and Paris, in September of 2018
  • Jermaine Jackson performs with sons on stage in the Netherlands at the Max Proms event
  • Exclusive interview with Jafaar Jackson in D’Scene Magazine
  • Michael Jackson Estate and Sony Music extend partnership
  • Listen to an extended version of the Blood on the Dance Floor X Dangerous (The White Panda Extended Mix)
  • Wade Robson’s child molestation allegations have been thrown out of court by Judge Beckloff

Season Three Highlights

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If you have any thoughts, opinions, or feedback on the show, we’d love to hear from you. Contact us at themjcast@icloud.com or find the links to our many social networks on www.themjcast.comKeep Michaeling!

Episode 071 – MJ101 Special: Bad 30


Creator of the free MJ101 eBook series Andy Healy has released his new book, Bad 30, and what a great opportunity for us to explore both the book and the album for our second last episode of Season Three of The MJCast.

Joining returning guest Andy is a new voice for listeners, Chris Lacy. Chris is a lifelong Michael Jackson supporter in more ways than one. His fiery passion for music and dance came from studying Jackson’s artistry while he was growing up on Navy bases. Chris eventually became a dance instructor while learning from Stephen “tWitch” Boss and Allison Holker of So You Think You Can Dance? fame. His appreciation for Michael Jackson expanded beyond the music when he started battling vitiligo at the age of twelve, a skin condition Jackson also endured. Fortunately, his strong Christian faith has not only helped him with his own struggles but has also inspired him to mentor youth who wrestle with various self-esteem issues. Chris is also a Contributing Writer for Albumism with heartfelt tributes for Bad (1987) and Dangerous (1991) under his belt, among others.

Andy, Chris, Jamon and Q explore and discuss the tracks on Michael’s critically and commercially acclaimed late 80’s masterpiece Bad. As Andy was lucky enough to see Michael live through witnessing The Bad World Tour in person, we also get to hear his account of this incredible concert, making us all slightly envious!

Links

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